In "Whatever Happened to Coppelius? Antecedents and Design in Christina Stead's The Salzburg Tales," Michael Ackland writes about "the puppet motif" in the first of Salzburg Tales' short stories, The Marionettist. This is a pdf file.
He writes:
In recasting the marionettist or puppeteer motif, Stead could draw on an extensive tradition that used the puppet theatre as a metaphor for commenting on human existence and authorship.
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